Epiphany Machine

ALBUM NOTES

In 2020, the Red Room Recording Studio rebuild was completed.
Most of these songs on EPIPHANY MACHINE were written and recorded
as direct reactions to world events like the COVID Pandemic and the Ukraine war.

THE SONGS:
1 • I Ain't Coming Home
2 • Got It Bad
3 • 7:57
4 • The Usual Suspects
5 • Did You Miss Me (co-written with Linley McKenzie)
6 • Epiphany Machine
7 • If Not Now, Then When
8 • What's Wrong With You
9 • It's Always Something
10 • The New Normal
11 • Can't Ever Tell

THE DUBS:
12 • Right (What's Wrong With You)
13 • Now (If Not Now, Then When)
14 • Maybe (I Ain't Coming Home)
15 • Unusually (Usual Suspects)
16 • 7:58 (7:57)
17 • Sometimes (It's Always Something)
18 • Device (Epiphany Machine)
19 • Good (Got It Bad)
20 • Target (Miss Me)
21 • Typical (New Normal)

22 • Destiny (Can't Ever Tell)

FREE BONUS TRACK:

Back Then

Louie Fleck: All instruments and Programming
EXCEPT:
Nedelka Sotelo - female background vocals

Got It Bad:
Aya Kato - keyboards
Doug Fischer - trombone
Travis Calvert - saxophone

The Usual Suspects:
Doug Fischer - trombone
Travis Calvert - saxophone
Aya Kato - keyboards
Keith Johnston - background vocals
Nedelka Sotelo - background vocals
Vince "Kazi" McCoy - drums
Tim Zamboni - bass
Bela Fleck - banjo
Andy Statman - mandolin

Composition, Engineering and Production by Louie Fleck

Mastered by Alan Douches • Art by Erica Harris
Benchwarrant Records • copyright © 2023 all rights reserved.

Kickstarter Commercial (Crazy Eddie Style!)

Review from DULAXI.com

Louie Fleck releases his latest Incredible reggae album (11 June 2023)
"Epiphany Machine" is an eclectic and introspective reggae album by Louie Fleck that reflects on personal experiences and provides a unique perspective on life. Through a blend of catchy melodies, heartfelt storytelling, and vibrant reggae instrumentation, the album invites listeners on a journey of self-reflection, urging them to seize the moment and embrace the rich tapestry of emotions that life has to offer.

Louie Fleck, a native New Yorker, has been writing songs and creating music for more than 45 years. In a variety of bands and records, he has performed everything from singer-songwriter folk-pop to musical theater to reggae. He has been releasing music regularly from his Brooklyn studio. In the midst of the epidemic, Louie Fleck releases his fourth solo album, "Epiphany Machine."

With its 11 original songs that explore the distinctive and "quirky" world of reggae, this engaging album offers listeners a novel and unexpected musical experience, and there are also 11 entirely trippy DUB versions and a bonus track (digital download), making the total of 23 songs on the album. "Epiphany Machine", which was released on June 1, 2023, takes us on a sonic adventure that symbolizes the struggles of these trying times with its distinctive combination of reggae and psychedelic dub components.

"Epiphany Machine" has brand-new songs in a peculiarly complex reggae style that were composed and produced during the pandemic. Even the legendary banjo player Béla Fleck, Louie Fleck’s brother, appears on the record as a guest. The album also showcases excellent collaborations with accomplished musicians like Vince "Kazi" McCoy, Keith Johnston, and Andy Statman.

The opening notes of "I Ain't Coming Home" create a sense of anticipation for the musical journey that lies ahead. Louie Fleck's emotive vocals and remarkable guitar work create a powerful and emotional storytelling experience. It is immediately clear that Louie Fleck has created something genuinely unique. The melodic hooks, limitless grooves, and contagious rhythms captivate listeners from beginning to end. One standout track, "If Not Now, Then When," captivates with its upbeat instrumentation and thought-provoking lyrics. Louie Fleck's vocals shine as he sings about the passage of time and the importance of seizing the moment. The reggae-infused percussion and instruments add depth and energy to the track, further enhancing its emotional impact. It's a track that invites introspection and urges listeners to reflect on their own lives, reminding them of the significance of taking action and not letting opportunities slip away.

With its slick brass and upbeat keys, "Got It Bad" stands out. It is supplemented by several voice layers lamenting "the headache and the fever." Both the underpinning beat and the soft vocal layering are influenced by lush reggae music. The album's title track, “Epiphany Machine,” on the other hand, has a more psychedelic vibe to it. Amidst the well-known reggae beat, expressive vocal effects harmonize brilliantly. The hazy vocal flourishes give Fleck's reggae influences a fresh perspective. Another gem on the album is "7:57." This infectious and uplifting track immediately grabs the listener's attention with its pulsating percussion and irresistible rhythm. The cymbals create a buzzing effect that seamlessly blends with the vibrant reggae and dub elements. The harmony of the female vocals, along with the phaser and flanger effects, adds an extra layer of richness to the track. "7:58 (7:57 DUB)" is a standout instrumental piece that exudes joy and invites the listener to let loose and embrace the infectious groove.

As the closing track, "Back Then (Bonus Track)" serves as the perfect conclusion to this emotional and reflective album. Louie Fleck's heartfelt vocals blend seamlessly with the beautiful dub instrumental, creating a nostalgic and introspective atmosphere. The track transports the listener back in time, recalling memories of a vibrant music scene in New York. Louie Fleck's storytelling prowess shines as he reminisces about the past, discussing his experiences and painting vivid pictures with his lyrics. It's a track that evokes a sense of longing and leaves the listener craving to revisit the album's beginning. The album's original songs serve as a moving reflection on events in Louie's life, but they also have a relatable quality, providing a special viewpoint and revealing personal insights. Louie Fleck's skill as a songwriter is evident in his capacity to weave compelling stories and intense feelings into reggae music. The entire album is permeated with Louie Fleck's influences, including homages to musical greats like Steely Dan, Bob Dylan, and Bob Marley.

Top-notch production on "Epiphany Machine" also allows each instrument and audio component to stand out. A rich and bright sound tapestry that transports the listener to a world of rhythm and groove is created by the snappy bass-lines, skanking guitars, and throbbing rhythms. The album displays Louie Fleck's musicality throughout, as he deftly blends various textures and layers to produce a seamless and engrossing listening experience. "Epiphany Machine" is proof of Louie Fleck's growth as a musician and his capacity to give reggae a new, original perspective. Reggae aficionados must listen to this album, but everyone should take the time to check it out.

Review from INFOMUSIC

Louie Fleck introduces us to an album entitled “EPIPHANY MACHINE”. The masterpiece to discover exclusively on the official Info Music website Louie Fleck, emblematic artist of the New York reggae scene, introduces us to a new album entitled "EPIPHANY MACHINE" . This album is a real fusion between reggae and pop, offering catchy melodies, neat arrangements and quality texts. Louie Fleck has brilliantly combined reggae and pop sounds, creating a warm and lively atmosphere. Each track is a real musical journey, where reggae rhythms blend harmoniously with pop harmonies, creating an unparalleled listening experience. Let yourself be carried away by this album and discover the unique musical universe of Louie Fleck.

Review from ElNews

Louie Fleck's "Epiphany Machine": A Unique Quirky Reggae Journey Through the Pandemic

Louie Fleck brings a unique and refreshing sound to the music scene with their latest album, "EPIPHANY MACHINE". The album features 23 tracks with a mix of original songs and psychedelic DUB versions, making it a one-of-a-kind experience for listeners. Louie Fleck's quirky REGGAE style is evident throughout the album and the band members' impressive musical skills are showcased in each track.

The album's opener, "I Ain't Coming Home", sets the tone for an incredible musical journey that takes listeners through the pandemic and beyond. The album also features impressive collaborations with talented artists such as Bela Fleck, Keith Johnston, and Vince "Kazi" McCoy.

Louie Fleck's inspirations are audible throughout the entire album, with tributes to legendary musicians like Steely Dan, Bob Dylan, and Bob Marley. The group's original approach to REGGAE is a breath of new air in the music business and is certain to make an impact on fans.

"The machinery is so well disguised, it's no surprise we're hypnotized," said Louie Fleck himself. This mood is echoed throughout the entire album, which carries listeners away to a fantastically melodic and artistic world. The album "EPIPHANY MACHINE" merits praise and acclaim for its originality and ingenuity.

Review from JYLA: A Music Blog:
Louie Fleck’s Quirky Reggae Album Chronicles Pandemic Struggles

by jordeen30 Posted on June 23, 2023

Brooklyn-based artist Louie Fleck presents a captivating musical endeavor with his latest album, featuring 11 original songs written during the challenging times of the pandemic. With a unique and quirky Reggae style, the album stands out as a testament to Fleck’s creative versatility. Adding to its allure, the release also includes 11 psychedelic DUB versions, further expanding the sonic landscape. This marks Fleck’s fourth album in this distinctive musical style, showcasing his artistic growth and evolution.The band consists primarily of Louie Fleck, who takes on most instruments and vocals, demonstrating his multi-instrumental prowess. Joining him are talented musicians Nedelka Sotelo on background vocals, Travis Cavert on saxophone, and Doug Fischer on trombone. The album also features an array of notable guests, including Aya Kato on keyboards, Keith Johnston and Nedelka Sotelo on background vocals, Vince “Kazi” McCoy on drums, Tim Zamboni on bass, Bela Fleck on banjo, and Andy Statman on mandolin.

The majority of the album was recorded in isolation during the pandemic, reflecting the unique circumstances in which it was created. Drawing inspiration from legendary artists such as Dylan, Marley, Black Uhuru, Sly & Robbie, UB40, Sublime, Steely Dan, and Grateful Dead, Louie Fleck weaves together a tapestry of influences that shape his signature sound.

As a veteran of the New York Reggae scene for three decades, Louie Fleck’s musical journey has seen him perform at numerous notable gigs, festivals, and events. His expertise as a bass player and guitarist has contributed to his prominence within the vibrant music community.

Recorded in Brooklyn, NY, the album’s production involved the dedicated efforts of the band members and their collaborators. Each song on the album holds its own significance, offering glimpses into the pandemic experience, sometimes subtly and indirectly. For a more comprehensive understanding of the album’s inspiration and themes, readers are encouraged to visit an exclusive interview with Louie Fleck, available at http://louiefleck.com/2023-Interview/.

Louie Fleck’s latest offering invites listeners to embark on a musical journey through the pandemic era. With its quirky Reggae style and introspective storytelling, the album provides a unique perspective on the challenges faced during these trying times. Prepare to be captivated by the infectious rhythms, soulful melodies, and thought-provoking lyrics as Louie Fleck’s music transcends boundaries and offers solace in uncertain times.

Connect with Louie Fleck’s on Facebook, YouTube, Bandcamp

Review from Extra VA French

Meet Louie Fleck and his “Epiphany Machine” We're heading to New York this morning to immerse ourselves in an album full of surprises tinged with Ska and Rocksteady. Here is "Epiphany Machine". If the Covid 19 virus had forced a lot of people to put their activities and projects on hold, this is not at all the case for Louie Fleck and his group, who took advantage of the forced isolation to release an album full of charms of contagious musicality. Louie Fleck is a complete artist. This Brooklyn-based bassist, guitarist and singer is also accompanied by an impressive group of artists and musicians who have combined their different talents to create the album “Epiphany Machine”. With his drums and his guitar he has never ceased to amaze fans of reggae and other influences of the genre for more than 30 years. Indeed, if you want to perk up with reggae, Rocksteady or even Dub, the album “Epiphany Machine” is a good reason to lock yourself up to spend a pure moment in music. You will inevitably fall for the melodious voice of Louie Fleck or that of Nedelka Sotelo, or the sound for the sound of Travis Cavert's Saxophone, the trombone of Doug Fischer and the piano of Aya Kato. Go and savor the beautiful harmonies of Keith Johnston without forgetting the vibrations of the banjo of Bela Fleck. You will simply enjoy drowning in “Epiphany Machine”. With Louie Fleck, the machinery is so well camouflaged that we are hypnotized, unsurprisingly.

Review from OBSCURE SOUND

Louie Fleck – ‘EPIPHANY MACHINE’ by Mike Mineo

Brooklyn-based artist Louie Fleck has been a mainstay of NYC’s reggae scene for over three decades. The approachable new album EPIPHANY MACHINE shows precisely why, with a melodic infusion of reggae and pop, bolstered by quality songwriting and catching vocal layers. Plus, the back of the album also boasts “psychedelic DUB versions” of each track.

“Got It Bad” stands out with its smooth brass and bouncy keys, complemented by various vocal layers lamenting about “the headache and the fever.” The lush reggae influence engages in both the mellow vocal layering and backing pulse. Elsewhere, the album’s title track grooves with a more psych-inclined reggae tone. Expressive vocal effects harmonize beautifully amidst the familiar reggae pulse. The dazed vocal touches add a new dimension to Fleck’s reggae inspirations.

The stellar vocal harmonizing also stars on “There’s Always Something,” with added guitar twangs building into the warming title-touting refrain. Ultimately, EPIPHANY MACHINE stirs with its comfortably familiar reggae inspirations, infused with unique creative twists, like the psychedelic flair on the title track. EPIPHANY MACHINE is an inviting listening experience from Louie Fleck.

“Got It Bad” and other tracks featured this month can be streamed on the updating Obscure Sound’s ‘Best of May 2023’ Spotify playlist.

Review from Indie Rock News

LOUIE FLECK – Epiphany Machine

If you’re a fan of psychedelic and rocksteady music, then you’re in for a treat with the United States, Brooklyn-based artist, Louie Fleck and their latest album, Epiphany Machine.

This 22-track album is a delightful blend of dub, groove, and reggae, creating a classic sound that is both nostalgic and easy listening. The male and female vocals harmonize beautifully, adding depth to the overall experience. One listener described the album as “a sonic journey through US-based culture, reminiscent of the greats like Bob Marley and Peter Tosh.” Additionally, there are 11 totally psychedelic DUB versions on the album as well as the unique yet quirky REGGAE style of the music. This quote perfectly captures the essence of Louie Fleck’s music, as it transports you to another time and place. The soundtrack-like quality of the album is a testament to the artist’s ability to tell stories through their music.

To fully appreciate the talent of Louie Fleck, check out Epiphany Machine, visit their website, and follow the artist on Spotify. Don’t forget to like and listen to our playlist, featuring more amazing independent artists like Louie Fleck.

Review from WE WRITE ABOUT MUSIC

Louie Fleck jams it out on reggae-fueled record, "Epiphany Machine"

A laid back and vibrant vibe from beginning to end, Louie Fleck has done it once again with the fresh release of his latest record, “Epiphany Machine”. Read on as we take a closer look into the album, as well as a background on the artist.

In the midst of the pandemic, Louie Fleck, the talented musician hailing from Brooklyn, NY, presents his fourth album, "Epiphany Machine." This captivating record features 11 original songs that delve into the unique and “quirky” realm of reggae, providing listeners with a refreshing and unexpected musical experience. With its distinct fusion of reggae and psychedelic dub elements, "Epiphany Machine" takes us on a sonic adventure that reflects the trials and tribulations of these challenging times.

The album opens with an air of anticipation, as the first notes of "I Ain’t Coming Home" set the stage for the musical journey ahead. From the outset, it becomes evident that Louie Fleck has crafted something truly special. The infectious rhythms, endless grooves, and melodic hooks draw listeners in, capturing their attention from start to finish.

The original tracks on the album serve as a poignant reflection on situations from Louie’s life, however they still have a feeling of relatability about them, offering a unique perspective and personal insights. Louie Fleck's songwriting prowess shines through in his ability to convey deep emotions and thought-provoking narratives within the reggae framework.

The production on "Epiphany Machine" is top-notch too, allowing every instrument and sonic element to shine. The punchy basslines, skanking guitars, and pulsating rhythms create a rich and vibrant sonic tapestry that transports the listener to a world of rhythm and groove. Louie Fleck's musicality is evident throughout the album, as he effortlessly weaves together different textures and layers to create a cohesive and captivating listening experience.

"Epiphany Machine" is a testament to Louie Fleck's artistic evolution and his ability to infuse reggae with a fresh and unique perspective. It’s something we thoroughly enjoyed and will absolutely be coming back to. So please, take the time out of your day to listen, follow along, and of course to stay tuned for much more in the works.

Review from "Os Garotos de Liverpool"

REGGAE: LOUIE FLECK: EPIPHANY MACHINE

He is an artist from Brooklyn to the world and who appears here in an unprecedented way, with work revealed on streaming platforms recently and which we will talk more about below.

Released on June 1, 2023, "Epiphany Machine" is an album that delivers 11 songs to the public that goes through reggae, with works composed during the pandemic, in a lyricism that also talks about that time.

Having a great groove throughout each of the tracks, with great backing vocals, brass instruments, beautiful guitar fingerings and a whole atmosphere that relaxes us throughout several tracks, like 'The Usual Suspects', making us want to listen more and more times both the regular album and the expanded part, which presents listeners with the same tracks, but now focused on dub, giving an even greater immersive experience, in addition to showing the great talent on the part of this artist who has all the capacity to be one of the new greats of the genre.

Review from MUSIC FOR ALL

Listen to Louie Fleck's fourth album, "EPIPHANY MACHINE"

by Biro Ramoniko

If you're vaccinated against good music, then steer clear of this new Louie Fleck album. This is because, in addition to the musical quality, the songs that make up the album are extremely contagious. “EPIPHANY MACHINE” is the fourth album by the artist from Brooklyn, New York (United States), recorded entirely in his homeland.

Accompanied by a great team, Nedelka Sotelo (backing vocals), Travis Cavert (sax), Doug Fischer (trombone) and other guests, Louie Fleck has reggae as his motto and delivers what he proposes, but in a unique way and still bringing elements of similar styles.

There are eleven tracks where everything that reggae asks for is included, always bringing variation, both rhythmic and melodic, making the work more consistent. The 'groove' of the kitchen, always essential, is there, but the foundations are left to the keyboards, which is one of the great differentials of the work. The metias section is discreet, but contributes a lot to the massification of the sound, while the 'backing vocals' work is exquisite, supporting Fleck's serious voice. “EPIPHANY MACHINE” also brings 11 more bonuses, with alternative, remixed and dub versions of the artist's sounds.

ALBUM NOTES

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